The Complete Guide to UREI/Universal Audio 1176 Revisions (2024)

Times are good for building a DIY 1176. Where 1176's used to dangle from big-name engineers' racks like so many fruits from Tantalus' tree, they're now well within reach of anyone with a soldering iron and a modest budget. And where there was once butone DIY option (Gyraf's G1176), there are now a myriad to choose from. But why, indeed, so many projects when there is only one 1176? Revisions. According to Universal Audio's website, the 1176 underwent at least 13 revisions from 1967 to 1973. Most of these consisted of either cosmetic makeovers, such as rev H, or minor tweaks that didn't reach the audio path, such as revs D and E. Others, however, were overhauls that significantly affected the compressors' sonic character. With "Mnats" (a veritable Bill Putnam of the DIY world) now offering PCBs for revs A, D, and F/G, "which one should I build?" is becoming a common question. So without further ado, let's look at the revisions and what they can do for your sound...

1176 Revison History

Revisions A/AB June 20, 1967: Wild transients tremble in fear of the enigmatic "Blue-Striped Terror."

The Complete Guide to UREI/Universal Audio 1176 Revisions (1)

Bill Putnam created the first 1176 compressor in 1967. Although it was the basis for all 1176 revisions, the rev A has numerous peculiarities that set it apart from the others. It is the only revision to use FETs rather than bipolar transistors in the preamp and line amps. It is also cosmetically unique, sporting a distinctive blue stripe through the meter. Finally, the rev A does not have the low-noise circuitry of later revisions, which means it imparts more harmonic distortion at the expense of a higher noise floor.The Universal Audio website tells us that therewere only 25 of this revision made (serial no. #101-125), which makes them about as rare as a piece of gear can be.

Mnats' Rev A PCBis actually based on what UA calls "rev AB," which changed some resistor values and added a bypass cap for the resistor feeding the gain-reduction FET. So, for all intents and purposes it is a rev A 1176, but with a more stable and controllable limiter.

Revisions C/D/E 1970: A clean up, a suffix, and a dark new look.

Most 1176 fetishists reading this have already noticed two conspicuous differences between the rev A and the compressor most of us know today: the black front panel and the "LN" signification. These were both introduced with rev C and codified with the rev D."LN" stands for "Low Noise," and all of the circuit changes in rev C were intended to reduce noise and distortion. These include reducing the voltage going to the gain-reduction FET to make its operation more linear, and incorporating a Q-bias pot to minimize distortion. Mnats reported that his rev D build tested 3.4dB quieter than the rev A.

Revisions C, D, and E are all in fact the same circuit with some superficial differences. For rev C,the LN circuitry was kept in its own epoxy module to protect the not-yet-patented design, but was added directly to the main PCB for rev D. Rev E merely added 220v operation in order to aggravate transients on both sides of the pond.

Universal Audio's current reproductions are based on these revisions, so if you are looking to DIY an 1176 rather than buying a new one, rev D is the way to go.

Revisions F/G 1973: Pulling out of class A / Integrating integrated circuits.

From the beginning the 1176 had used the class-A 1108 preampfor output gain. Rev F replaced this with a push-pull amplifier based on the 1109 preamp. This gives the rev F more output gain and a slightly different sonic character than previous revisions. In spite of this, this revision measures the lowest harmonic distortion of any revision, making it the best choice for those looking for 1176-style compression with less coloration.

Rev F replaced the UA-5002 output transformer with a Bournes B11148 which, according once again to the estimable Mr. Mnats, adds a small boost in the extreme high and low frequencies.

Revs F and G were also the first to incorporate integrated circuits. First, the rev F switched from a discreet to an opamp-based metering circuit, while the rev G replaced the input transformer with an NE5532 IC. This gives the rev G the potential to be the cleanest 1176 yet.

The Gyraf G1176is based on rev F, but does not accept Ed Andersons B11148 transformer clone. Both revs F and G can be built on Mnats' rev F PCB.

Revision H The final frontier?

The Complete Guide to UREI/Universal Audio 1176 Revisions (3)

Silver faceplate, red "Off" button, blue UREI logo. That's it. Not much of a revision, really, and to my knowledge it has never been DIYed. Who wants to be the first to clone the front panel of the elusive revision H?

So, which one should I build?

Odds are you probably know by now which revision appeals most to you. But in case you are still trying to sort out which one is right for you, let's do a10-second, over-simplified takeaway:

Rev A: Juiciest, noisiest, vintagey-ist.

Rev D: Lower-noise, classic character. Closest to the modern repros from UA.

Rev F/G: Cleanest, unique output transformer.

Rev H: Snazzy faceplate.

All revisions use the UTC-012 input transformer, except for G, which has no input transformer.

All use the UA-5002 output transformer, except for F/G which uses the Bournes B11148.

The Complete Guide to UREI/Universal Audio 1176 Revisions (2024)

FAQs

What is the best revision of the 1176? ›

While the 1176 has seen a huge number of revisions in its history, the most significant revision to the 1176 circuit was designed by UREI engineer Brad Plunkett in an effort to reduce noise — hence the birth of the 1176LN (LN stands for low noise) at revision C.

Is the Urei 1176 any good? ›

The UREI 1176 is characterised by a big, clear and open sound, yet it will also happily contribute a degree of bite and grit when pushed hard. Long ago, engineers discovered an aggressive, yet musically pleasing style of compression achieved by selecting all four ratios simultaneously.

What is special about 1176? ›

One of most popular features of the 1176 is its ability to vary its release time based on program material. After a transient, it releases quickly to avoid level drops, but if there is a continued state of heavy compression, the 1176 will exhibit a longer release to reduce pumping.

What is the ratio of all buttons on the 1176? ›

The 1176 was designed with four compression ratio settings which could be selected by pressing one of four separate buttons, one for each ratio value: 4:1, 8:1, 12:1, 20:1. These buttons were designed to be used one at a time, however British audio engineers couldn't help but rip up the rulebook and get experimental!

Is 1176 hard or soft knee? ›

As its predecessor, the 1176 utilizes soft knee compression and fixed threshold: compression amount is controlled through the input control. The compression character is handled by attack and release times and four selectable compression ratios.

What is the fastest release on 1176? ›

1176 release times range from 50 milliseconds at the fastest setting, to 1.1 seconds at the slowest. Release times are usually dialed-in to suit the rhythm of the song.

Which logic compressor is like an 1176? ›

The three modes worth noting on the Logic Pro compressor plugin are: FET – (Field Effect Transistor) This setting is emulating an 1176 which is perhaps the most famous FET compressor, and people like to use them to get that punchy drum sound. Opto – This is emulating the LA2A, optical compressor.

What does Urei stand for? ›

United Recording Electronics Industries (UREI) was a manufacturer of recording, mixing and audio signal processing hardware for the professional recording studio, live sound and broadcasting fields.

What is the most expensive compressor plugin? ›

The stereo Fairchild 670 tops at least three lists: it's undoubtedly the most expensive compressor in the world; at 30 kilograms it's certainly the heaviest, and it is – most importantly – the undisputed king of variable-mu valve limiting.

How many times to chant 1176? ›

1176 Angel Number Chanting 108 Times |FulFils Any Wish.

What do all buttons on the 1176 do? ›

The 1176 will faithfully compress or limit at the selected ratio for transients, but the ratio will always increase a bit after the transient. To what degree is once again material dependent.

Which way is fast on 1176? ›

On the 1176 compressor, the Attack and Release knobs work backward from normal, he explains. Instead of fast to the left and slow to the right like most compressors, it's the opposite. The slowest setting is at 7 o'clock and the fastest at 5 o'clock.

How do you calibrate an 1176? ›

Set the 1176's Output pot to the 12 o'clock position. Adjust the 1176's input pot until you get a reading of 0VU on your console VU meters. Adjust RT-1 (CCW moves VU lower) on the Side-chain board until you see the console VU meter move to the left to indicate less level.

What does the ratio control on a compressor do? ›

Ratio. Ratio specifies the amount of compression applied to the signal. This setting is expressed in decibels. For example, a ratio of 2:1 indicates that a signal exceeding the threshold by 2 dB will be attenuated down by 1 dB.

What does the ratio knob do on a compressor? ›

What Does the Ratio Knob on a Compressor Do? The ratio knob sets the amount of applied compression. The numbers on the knob indicate the ratio of input to output. The higher the ratio, the more extreme the compression.

What important event happened in 1176? ›

Major Events
  • May 22 Murder attempt by "Assassins" on Saladin near Aleppo.
  • May 29 Battle at Legnano: Lombard League beats Frederick I Barbarossa and the Holy Roman Empire.
  • Sep 17 At the Battle of Myriokephalon the Byzantines fail to recover Anatolia from Turkish rule.

How to use 1176 with LA-2A? ›

The most common combination is to put the 1176 first and set it up as a peak limiter. To do this, set a high compression ratio, like 12:1, and a fairly fast attack and release. The point here is to just flatten the higher peaks.

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